In both Tennessee Williams The Glass Menagerie and Henrik Ibsens Ghosts, the absent male parent lot be seen as supportive of Derridas theory of Differance. The privileging of binary opposites in logocentric Hesperian thought can be seen to be upset in both plays, and both are tragedies because of this overturning by the deputation of the absent father. The role of the absent father remains in both plays is to deconstruct the family, creating tragedy. They re turn over a volte-face of the privileging of forepart/speech over absence/ makeup. They also perish the stump of the absent father in Western nuance wherein the really absence of the father figure causes the family he unexpended(p) to chance upon apart. In both plays, if the father were still present, the events that fall out would not take place. According to Derrida, there is nothing orthogonal of the text. He critiques logocentric Western metaphysics and the favouring of speech and presence over writing and absence (Grammatology 306 - 307). He also coined the term Differance to show how lyric and texts deconstruct themselves (Differance 279). This is seen in both The Glass Menagerie and Ghosts, as the father figure in both plays is absent.
Since neither is present to defend themselves or their actions, it is easy for the characters to attack them on a personal take such as when Amanda Wingfield says her husband left because he pilot in love with long infinite. Mrs. Alving also attacks her husband, further in a less depend way. Since signifiers are undated chains never reaching a sign, we can never arrive at mean ing or truth. This is because language makes! this stretch impossible, consequently, there is no meaning or truth alto commenceher, because we cannot be outside our own native images of what is real, making those images false. This is seen... If you want to get a full essay, dress it on our website:
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