Poet Benjamin Zephaniah has written a sensitive(a) childrens view as called Face. The level is centred around the lineament of Martin, who is a white school pundit who has a facial disfigurement. I read this platter with my children, outdoor(a) six and ten, and they thoroughly knowed it. Every page brought a new twist. My children, being black and growing up in the atomic number 99 closure of London where this phonograph recording is based, were commensurate to identify with the descriptions of hedonist diversity in the make. Working class kids will honor the inner city pursuits of a groups of Newham school students through their half(prenominal) landmark holidays. Face shows how events test true friendships, attitudes and stereotypes, and shows how a divided bring can help break down prejudices. It was raise to pay heed how questioning my children became when the issue of race began to feature in the story. The book provoked discussion on why around popu late are racist, where racism comes from, and the nature of the police. My children know areas where the book is effect such as Green roadway in Newham and were able to contrast the descriptions with their own experiences.

For me the book brought back memories of Wanstead Parks stick pass Funfair, with everyone dressing their best or, as Zephaniah describes it, a special K with the attitude of a beach. The ethnic flavour of the East break is described with realism and injected with history. Through the eyes of a timbre you read how, In the 16th century French Protestant refugees settled.. then Germans, Ch inese, Vietnamese, Jews and Poles. The lates! t arrivals were Caribbeans, Africans, Asians and Bosnians. Teenage characters describe Green passageway police station as a symbol of restraint and a building representing state oppression. In short, this book talks of looking beyond the face to what really unites us all class experiences.If you want to get a in full essay, order it on our website:
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